︎ ︎ ︎ ︎
Magic Millstone, 2023 ︎
Stonehanji, 2023 ︎
Hanji Towers,
2023 ︎︎︎
Hanji Experiment,
2022 ︎
Soft Shelter: Beyond the Subject, 2022 ︎︎
Consumption of Heritage Kids, 2021 ︎
Cross: warp and weft, 2020 ︎
Still Real, 2020 ︎
Consumption of Heritage, 2018-2019 ︎︎︎
Transforming Heritage Into Labour, 2018-2019 ︎︎︎
존재를 증거하는 대상, 2018 ︎
The Sculpture, 2017-2018 ︎
Beyond the Subject, 2015 ︎︎
Le Pli, 2011 ︎
Jokduri, 2010 ︎
KKAKK: Left and Right, 2010-2014 ︎
KKAKK, 2008
︎
︎ ︎ ︎ ︎
Magic Millstone, 2023 ︎
Stonehanji, 2023 ︎
Hanji Towers,
2023 ︎︎︎
Hanji Experiment,
2022 ︎
Soft Shelter: Beyond the Subject, 2022 ︎︎
Consumption of Heritage Kids, 2021 ︎
Cross: warp and weft, 2020 ︎
Still Real, 2020 ︎
Consumption of Heritage, 2018-2019 ︎︎︎
Transforming Heritage Into Labour, 2018-2019 ︎︎︎
존재를 증거하는 대상, 2018 ︎
The Sculpture, 2017-2018 ︎
Beyond the Subject, 2015 ︎︎
Le Pli, 2011 ︎
Jokduri, 2010 ︎
KKAKK: Left and Right, 2010-2014 ︎
KKAKK, 2008
︎
︎ ︎ ︎ ︎
Magic Millstone, 2023 ︎
Stonehanji, 2023 ︎
Hanji Towers,
2023 ︎︎︎
Hanji Experiment,
2022 ︎
Soft Shelter: Beyond the Subject, 2022 ︎︎
Consumption of Heritage Kids, 2021 ︎
Cross: warp and weft, 2020 ︎
Still Real, 2020 ︎
Consumption of Heritage, 2018-2019 ︎︎︎
Transforming Heritage Into Labour, 2018-2019 ︎︎︎
존재를 증거하는 대상, 2018 ︎
The Sculpture, 2017-2018 ︎
Beyond the Subject, 2015 ︎︎
Le Pli, 2011 ︎
Jokduri, 2010 ︎
KKAKK: Left and Right, 2010-2014 ︎
KKAKK, 2008
︎
︎ ︎ ︎ ︎
Magic Millstone, 2023 ︎
Stonehanji, 2023 ︎
Hanji Towers, 2023 ︎︎︎
Hanji Experiment, 2022 ︎
Soft Shelter: Beyond the Subject, 2022 ︎︎
Consumption of Heritage Kids, 2021 ︎
Cross: warp and weft, 2020 ︎
Still Real, 2020 ︎
Consumption of Heritage, 2018-2019 ︎︎︎
Transforming Heritage Into Labour, 2018-2019 ︎︎︎
존재를 증거하는 대상, 2018 ︎
The Sculpture, 2017-2018 ︎
Beyond the Subject, 2015 ︎︎
Le Pli, 2011 ︎
Jokduri, 2010 ︎
KKAKK: Left and Right, 2010-2014 ︎
KKAKK, 2008
︎
Magic Millstone, 2023 ︎
Stonehanji, 2023 ︎
Hanji Towers, 2023 ︎︎︎
Hanji Experiment, 2022 ︎
Soft Shelter: Beyond the Subject, 2022 ︎︎
Consumption of Heritage Kids, 2021 ︎
Cross: warp and weft, 2020 ︎
Still Real, 2020 ︎
Consumption of Heritage, 2018-2019 ︎︎︎
Transforming Heritage Into Labour, 2018-2019 ︎︎︎
존재를 증거하는 대상, 2018 ︎
The Sculpture, 2017-2018 ︎
Beyond the Subject, 2015 ︎︎
Le Pli, 2011 ︎
Jokduri, 2010 ︎
KKAKK: Left and Right, 2010-2014 ︎
KKAKK, 2008
︎
KKAKK: Left and Right, 2010
Leftover fabrics of ALEELANG collection, Urethane fabric
Left and Right; Are my scissors creating design or waste? Most fashion designers inevitably produce waste through their designs. The fate of the fabric is determined by the scissors cutting across it. Yet the creation of waste is not unique to fashion designers, but also an integral part of life itself. When I cut into a piece of fabric, I use my right hand. The fabric on the left side of the scissors becomes the product, and the fabric on the right becomes the waste. Left and right, birth and death. As a designer, I’d like to draw attention to the side which is created out of our neglect. In the KKAKK Project, discarded scraps are recycled and reincarnated as a new product.
Exhibited:
2015, 옷(The Clothes)
Amado Art Gallery, Seoul, Korea
Credits:
Concept, Design: Sun Lee
Photo: Rock-won Kim
Related work:
KKAKK, 2008 ︎︎︎